Measure for Measure
Measure
for Measure is a play written by William Shakespeare. It was first performed in
1604 and is known as one of Shakespeare’s “problem plays” because its tone
shifts between serious and humorous. Shakespeare was a famous poet and
playwright during the Elizabethan and Jacobean eras. While he started his
career writing comedies and histories, Measure for Measure was written during a
time when he was creating some of his most famous tragedies. When the first
collection of Shakespeare’s works, the First Folio of 1623, was published, it
classified Measure for Measure as a comedy. However, the play has dark themes
and a serious tone that make it feel similar to a tragedy. The story explores
justice, hypocrisy, and mercy, questioning how laws can be fairly enforced when
all humans are tempted to do wrong.
Summary
Measure
for Measure takes place in Vienna, where Duke Vincentio is in charge. The Duke
decides to leave the city for a while and puts a strict and serious man named
Angelo in charge while he is gone. Angelo agrees to enforce the city’s laws
while Vincentio is away.
After
the Duke leaves, a young man named Lucio hears from a woman named Mistress
Overdone, who runs a brothel, that his friend Claudio has been put in prison by
Angelo. Claudio is a more respectable person than Lucio, who has made a woman
pregnant but refuses to marry her. However, Claudio is sentenced to death
because he got his fiancée, Juliet, pregnant before they were officially
married. Lucio goes to find Claudio. Meanwhile, Pompey, a bartender and worker
at the brothel, complains that Angelo’s strict laws are hurting the businesses
in the city’s outskirts.
Claudio
sees Lucio on his way to prison and asks him to find his sister, Isabella, to
beg Angelo for mercy. Lucio goes to Isabella, who is about to become a nun, and
convinces her that she might be able to persuade Angelo to save Claudio. She
goes to Angelo and argues that all men struggle with the temptation to sin, so
it is important to show mercy to those who break the law.
Angelo
is drawn to Isabella’s purity and goodness and, instead of showing mercy, he
starts to desire her. He tells her that he will release Claudio if she agrees
to sleep with him. Isabella refuses, saying that saving her brother’s life at
the cost of her own soul would not be right. Angelo warns her that no one will
believe her if she tries to accuse him because of his high status and good
reputation.
Meanwhile,
Duke Vincentio has not actually left the city. Instead, he has disguised
himself as a friar named Lodowick. He explains that he wanted Angelo to enforce
the laws again so he would not have to do it himself and seem like a cruel
ruler. The disguised Duke tells Claudio to prepare for death, but then
overhears Isabella telling her brother about Angelo’s immoral demand. Realizing
that Angelo is a hypocrite, the Duke comes up with a plan to save Claudio and
protect Isabella. He introduces Isabella to a woman named Mariana, who was once
engaged to Angelo. Angelo broke off their engagement when she lost her dowry in
a shipwreck. The Duke suggests a "bed trick," a common idea in plays
of that time, where Mariana will secretly take Isabella’s place in the dark, so
Angelo will unknowingly sleep with his former fiancée. The Duke also arranges
with the prison guard to send another prisoner’s head to Angelo instead of
Claudio’s, but he does not tell Isabella this plan, so she will believe that
her brother is really dead.
Meanwhile,
the Duke, still disguised as a friar, speaks with Lucio. Lucio complains that
the Duke is foolish, lustful, and incompetent, not realizing that he is
actually talking to the Duke himself.
After
Angelo unknowingly sleeps with Mariana, thinking she is Isabella, he still
orders Claudio to be executed. Isabella is outraged when she finds out, but the
Duke advises her to wait until the Duke returns and expose Angelo in public.
The Duke then stops pretending to be a friar and announces that he is returning
to Vienna. He arranges to meet Angelo at the city gates.
When
the Duke returns, Isabella and Mariana reveal Angelo’s corruption. At first,
the Duke pretends not to believe them, but he allows them to explain what
happened and present their proof. Then, he puts on his friar disguise again to
confirm their story. However, Lucio pulls off the friar’s hood, revealing that
the Duke was in disguise the whole time.
Angelo
immediately confesses his crimes and asks to be executed. But Mariana begs the
Duke to show mercy and allow Angelo to become a better person by marrying her.
Isabella also asks the Duke to be merciful, even though she still believes that
her brother has been killed. The Duke then reveals that Claudio is alive and
asks Isabella to marry him. She does not respond.
At
the end of the play, Lucio is punished for insulting the Duke and for making a
woman pregnant without marrying her. The Duke forces him to marry the woman and
then orders him to be executed for his wrongdoings.
Character
analysis
Duke Vincentio: The Duke of Vienna, also known as
Vincentio, is a central character in the play. He is a wise and authoritative
ruler who initially leaves Angelo in charge of the city to observe how he
enforces the law. The Duke disguises himself as a friar to secretly observe the
events in the city. He is ultimately a fair and just ruler, and his return at
the end of the play resolves the various conflicts and injustices that have
occurred.
Angelo: Angelo is appointed by the Duke to
enforce strict moral and legal standards in Vienna while the Duke is away.
Angelo is characterized as a strict, puritanical, and inflexible character who
initially appears virtuous and steadfast in his adherence to the law. However,
his moral facade is shattered when he propositions Isabella with an indecent
proposal, revealing his hypocrisy and inner struggle with temptation. He is a
complex character who undergoes a transformation in the course of the play.
Isabella: Isabella is Claudio's sister and a
novice nun. She is portrayed as a highly virtuous and devout character,
committed to her religious beliefs. Her commitment to chastity and her sense of
justice are central to the play. Isabella's character is tested when Angelo
makes an indecent proposal to her, and she is faced with a moral dilemma. Her
character development is seen as she ultimately agrees to a plan to save her
brother's life, even if it means compromising her own values.
Claudio: Claudio is Isabella's brother, and
he is sentenced to death by Angelo for impregnating Juliet before their
marriage. Initially, he supports his sister's decision to remain chaste, but he
changes his mind and urges her to accept Angelo's proposal to save his own
life. Claudio's character represents the conflict between personal survival and
moral principles.
Mariana: Mariana is Angelo's former
fiancée, whom he abandoned after her dowry was lost in a shipwreck. She plays a
crucial role in the play when she agrees to take Isabella's place in Angelo's
bed, and her character is pivotal in exposing Angelo's wrongdoing.
Lucio: Lucio is Claudio's friend and is
known for his witty and cheeky nature. He is the one who brings the news of
Claudio's sentencing to Isabella. Lucio's character provides comic relief and
represents the lower classes in the play.
Mistress Overdone: She is the Madame of a Viennese
brothel.
Elbow: Elbow, the police officer tasked
with enforcing sex laws, is a character known for his amusing quirks/evasions.
Escalus: Escalus is a virtuous nobleman who
repeatedly advises Angelo against acting unjustly or too harshly, and thinks of
his own sins when doing justice.
Pompey: Pompey is a quick-witted
"bawd" employed by Mistress Overdone, who is skeptical of any attempt
to enact laws that will eliminate prostitution.
Barnadine: Barnadine is an irritable, lazy,
drunken prisoner, sentenced to die the same day as Claudio. His laziness is so
great that he refuses even to appear for his own execution, and as such the
authorities give up on trying to execute him.
Friar
Lodowick: Friar
Lodowick is the disguise name of the Duke.
Themes:
·
Mercy
versus Justice
·
Liberty
·
Marriage
and Social Order
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