As You Like It Act 2, Scene 5
As You Like It Act 2, Scene 5
Summary
In
the Forest of Arden, Amiens sings a pastoral song ("Under
the greenwood tree") celebrating the simple, carefree life of those who
shun ambition and are content in nature, where the only enemies are
"winter and rough weather." The melancholic Jaques eagerly
requests more, claiming he can "suck melancholy out of a song." He
avoids Duke Senior, finding him "too disputable."
After
the group sings another stanza, Jaques offers a mocking, cynical parody of
the song. His version suggests that anyone who leaves wealth and ease for the
forest life is a fool ("turn ass"), and he invents a nonsense
refrain, "ducdame," which he claims is a "Greek invocation to
call fools into a circle." He then exits to sleep or rant, while Amiens
goes to join the Duke.
Analysis
1. The Pastoral Anthem & Its Cynical Undercutting:
o Amiens' song is the purest
expression of the pastoral ideal in the play. It glorifies freedom
from social ambition, harmony with nature, and a community united under the
greenwood tree. It serves as the official "theme song" for Duke
Senior's exiled court.
o Jaques' parody acts as a satirical
critique of this ideal. His verse implies that the exiles are not
noble refugees but stubborn fools who have irrationally chosen hardship. The
refrain "ducdame" (likely a nonsensical coinage) reduces the
idealized community to a circle of gullible idiots. This highlights
Jaques' role as the internal skeptic who questions all sentiments.
2. Characterization of Jaques:
o Consummate Melancholic: His declaration that he can
"suck melancholy out of a song" perfectly defines his character.
He actively cultivates sadness and finds intellectual pleasure
in deconstructing joy. He doesn't want to be cheered; he wants material to feed
his reflective gloom.
o The Detached Observer: His avoidance of Duke Senior
("He is too disputable for my company") is key. Jaques prefers solitary
contemplation and witty commentary over earnest philosophical debate
or community action. He stands apart, commenting on the circle he refuses to
join fully.
o The Mocking Wit: His parody showcases his
intelligence and verbal dexterity, but also a deep-seated contempt for
naive optimism. His humor is not joyous but biting and corrective.
3. Thematic Tension:
o The scene stages a direct conflict
between two worldviews: Utopian Idealism vs. Cynical Realism. The
song represents the escape from a corrupt world into a purer one. Jaques
counters that this escape is itself foolish and that human folly is universal,
merely transplanted to the woods.
o Appearance vs. Reality: The scene questions the true
nature of the forest idyll. Is it a sanctuary for the virtuous, or just a
gathering place for deluded runaways? Jaques forces the audience to consider
the less romantic perspective.
4. Dramatic Function:
o Comic Relief and Intellectual Edge: The scene provides musical
comedy but with a sharp, satirical bite, courtesy of Jaques. It prevents the
pastoral setting from becoming sentimentally one-dimensional.
o Deepening the Forest's Ambiguity: It ensures that Arden is not
just a simple paradise but a space for philosophical
contest. The coexistence of the celebratory song and its parody establishes
the forest as a place where multiple truths can be held in tension.
o Foreshadowing Jaques' Role: His final line about railing
"against all the first-born of Egypt" foreshadows his later, more
famous set-piece speeches (like the "All the world's a stage"
soliloquy), where his melancholy will expand into a grand, theatrical critique
of all human life.
In
essence, Act
2, Scene 5 is a musical debate. Through song and parody, it
encapsulates the central philosophical divide within the Forest of Arden
itself. Amiens’ melody offers the comfort of the pastoral dream, while Jaques’
discordant verse insists on waking up to its possible absurdities. The scene
confirms that Arden is not an escape from human complexity, but a stage for its
examination.
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